Netflix knew I was going to North Korea and Ethiopia and Iceland. They saw the film and liked it and that was… — Werner Herzog Copy Share Image
Film should be looked at straight on; it is not the art of scholars but of illiterates. — Werner Herzog Copy Share Image
It doesn't matter whether you shoot on celluloid or on digital, you better make a good film. — Werner Herzog Copy Share Image
Orson Welles, one of the best of the best. One of the strongest. As strong as an animal. He somehow was pushed… — Werner Herzog Copy Share Image
It seems odd, but people who see my films normally take them in in a deeper way than you would actually watch… — Werner Herzog Copy Share Image
The volcano itself wasn't that interesting, but the man who refused to be evacuated - the only one of 75,000 people -… — Werner Herzog Copy Share Image
When you look at any of my films you will immediately be able to tell this is a [Werner] Herzog film. Even… — Werner Herzog Copy Share Image
I always felt completely confident - it's like in a feature film, knowing your principle character is extremely well-cast. I had that… — Werner Herzog Copy Share Image
Once in a while I come across a director who hasgrown up thousands of miles from me, and the work touches me.Through… — Werner Herzog Copy Share Image
I work very fast and steadily, and I don't hardly ever notice that I'm working. It feels like just breathing or walking… — Werner Herzog Copy Share Image
For me, the distinction between documentaries and feature films is not so clear - my "documentaries" were largely scripted, rehearsed, and repeated,… — Werner Herzog Copy Share Image
Robert Rodriguez, makes a feature film in 35mm celluloid one and a half hours long, and nobody believed him, I think he… — Werner Herzog Copy Share Image
It was a subject [ volcanoes] that was dormant in me for a long time and it popped up 40 years ago… — Werner Herzog Copy Share Image
Ten years ago in Antarctica shooting "Encounters at the End of the World," I met a very fine volcanologist from Cambridge University… — Werner Herzog Copy Share Image
For example, how you would introduce a leading character into your film, and as an absolute ingenious example, [Elia] Kazan in his… — Werner Herzog Copy Share Image
It is something more fleeting than what you normally see. People might somehow take it into their own dreams, into their own… — Werner Herzog Copy Share Image
at the press conference for the film he impressed everyone with his complete sincerity and innocence. he said he had come to… — Werner Herzog Copy Share Image
I run my own film school, the Rogue Film School, and I do it over three and a half days, eight hours… — Werner Herzog Copy Share Image
For a film I shot on the most difficult mountain on God's wide earth in Patagonia for a sequence where there was… — Werner Herzog Copy Share Image
I'm talking a lot on financing in the Masterclass and I know what it means to because I had to finance my… — Werner Herzog Copy Share Image
I am somebody who creates images, with my perspectives, fascinations and my instincts as a narrator. You have to activate the audience's… — Werner Herzog Copy Share Image
The universe couldn't care less about us. I say this very clearly in the film [ "Into the Inferno"]: our planet is… — Werner Herzog Copy Share Image
I think the worst that can happen in filmmaking is if you're working with a storyboard. That kills all intuition, all fantasy,… — Werner Herzog Copy Share Image
I always had a feeling, for example, that there should be something from Verdi's "Requiem" in the film. You hear it when… — Werner Herzog Copy Share Image
Everyone who makes films has to be an athlete to a certain degree because cinema does not come from abstract academic thinking;… — Werner Herzog Copy Share Image
The beauty of Netflix is on the 28th of October they push a button and the film will be in 190 countries… — Werner Herzog Copy Share Image
If you truly love film, I think the healthiest thing to do is not read books on the subject. I prefer the… — Werner Herzog Copy Share Image
It has always been my aim to find that sort of passion and figure out how to transform it into cinema.Timothy Treadwell's… — Werner Herzog Copy Share Image
My contacts with the film industry can be described in very simple terms: The industry does not really need me, and I… — Werner Herzog Copy Share Image
There are specific times where film noir is a natural concomitant of the mood. When there's insecurity, collapse of financial systems -… — Werner Herzog Copy Share Image
Film is not analysis, it is the agitation of mind; cinema comes from the country fair and the circus, not from art… — Werner Herzog Copy Share Image
I make films because I have not learned anything else and I know I can do it to a certain degree. And… — Werner Herzog Copy Share Image
Of course subjects are changing, and since I started so early in filmmaking, I did my first film at age 19, of… — Werner Herzog Copy Share Image
It's all movies for me. And besides, when you say documentaries, in my case, in most of these cases, means "feature film"… — Werner Herzog Copy Share Image
Otherwise [digital revolution] hasn't changed my way of filmmaking, I'm not nostalgic in postulating we should still make films on celluloid. I… — Werner Herzog Copy Share Image
I'm quite convinced that cooking is the only alternative to film making. Maybe there's also another alternative, that's walking on foot. — Werner Herzog Copy Share Image
In a way, I managed to get the deepest things, the best things out of people. That's why I'm a filmmaker. If… — Werner Herzog Copy Share Image
In my films, I hope there are a few moments where you feel almost illuminated, like in a state of ecstasy, stepping… — Werner Herzog Copy Share Image
Everything that I've done was prudent and never has anyone gotten hurt in my films - not a single actor, not a… — Werner Herzog Copy Share Image
Because you're delegated to a cook book recipe and you slavishly and pedantically rely on it while you're shooting and you're not… — Werner Herzog Copy Share Image
If your project has real substance, ultimately the money will follow you like a common cur in the street with its tail between its… — Werner Herzog Copy Share Image
I know whenever it comes to be really dysfunctional and vile and base and hostile on screen, I'm good at that. — Werner Herzog Copy Share Image
When we speak about trespassing, we speak about artistic trespassing. You have to be prudent and have common sense and a sense of responsibility… — Werner Herzog Copy Share Image
If you want to propose marriage to your girlfriend and you live in England and she is in Sicily, do the decent thing and… — Werner Herzog Copy Share Image
I'm a very circumspect and prudent person, and I eliminate danger as far as it can be done. — Werner Herzog Copy Share Image
It is not only my dreams, my belief is that all these dreams are yours as well. The only distinction between me and you… — Werner Herzog Copy Share Image
My non-fiction films are pretty much fiction, or at least close... It's all "movies" for me. I never have searched for a subject. They… — Werner Herzog Copy Share Image
If an actor knows how to milk a cow, I always know it will not be difficult to be in business with him, — Werner Herzog Copy Share Image
ِِِِِِِِِِArt house theaters are vanishing. They have almost disappeared completely, and that means there's a shift in what audiences want to see. And they… — Werner Herzog Copy Share Image
I always had a feeling, for example, that there should be something from Verdi's "Requiem" in the film. You hear it when you see… — Werner Herzog Copy Share Image
Along with this rapid growth of forms of communication at our disposal - be it fax, phone, email, Internet or whatever - human solitude… — Werner Herzog Copy Share Image