I actually went to film school and was making experimental films for a short time, so it wasn't such a leap. — Jim Coleman Copy Share Image
I guess professionally it began when Hal Hartley used some music of mine in his film The Unbelievable Truth. — Jim Coleman Copy Share Image
But that's something that I like about scoring film: it makes me reach out of the parameters of my self, it requires… — Jim Coleman Copy Share Image
For electronica music, David Linton has been doing this series called Unity Gain, which is pretty cool. — Jim Coleman Copy Share Image
So, through playing with Cop I realized that there is a potentially interested audience out in the world. — Jim Coleman Copy Share Image
First, I'm trying to edit down about 7 hours of material which I made prior to the Cop days and find some way to… — Jim Coleman Copy Share Image
I don't think I really know just how cool Satan really was when I was in Junior High School. Now, thanks to Marilyn Manson,… — Jim Coleman Copy Share Image
I do remember being in high school and trying to go to an Outlaws concert, but I was too drunk and ended up in… — Jim Coleman Copy Share Image
As a kid, I used to go see all the jazz players, Oscar Peterson, Stan Kenton, Dave Brubeck, Dizzy Gillespe. — Jim Coleman Copy Share Image
I actually went to film school and was making experimental films for a short time, so it wasn't such a leap. — Jim Coleman Copy Share Image
Unfortunately, however, I have too many desires to make a good Buddhist. — Jim Coleman Copy Share Image
In scoring, I usually start with a sound or group of sounds, searching out what feels right. — Jim Coleman Copy Share Image
With Frat House, at times I needed to make music that would reflect what these fraternity brothers might actually listen to, but still keep… — Jim Coleman Copy Share Image
