We also had a team of costumers that would do samples for us, of fabrics, textures, people doing silhouettes of things up on dress forms, just to kind of inform the design process. Through all of that we got to… — Christine Bieselin Clark Copy Share Image
It was all about how we were going to build these costumes with lighting in them, and trying to make them a little more high fashion, a little sexier, and a little edgier. But we just did tons and tons… — Christine Bieselin Clark Copy Share Image
They [Throne; legacy costumes] are made out of foam latex, which is basically what prosthetic makeup is made out of. So it's very delicate and very fragile. And then you put the electronics in there and you have a whole other level of fragility. So we had many suits and sometimes we would have to change out at lunchtime and… — Christine Bieselin Clark Copy Share
I love what I do and I love being part of the storytelling process. And I love the technological advancements. It was the thing… — Christine Bieselin Clark Copy Share Image
The first time we ever lit up a suit was on Garrett. He was the first finished costume that we had, the "Sam" character.… — Christine Bieselin Clark Copy Share Image
Trying to use all the existing technologies that were out there wouldn't work for us because none of them were flexible. Everything was rigid… — Christine Bieselin Clark Copy Share Image
Before we ever finished shooting, there were things going on. For instance we always had different fingers exposed in our gloves, and always latex… — Christine Bieselin Clark Copy Share Image
I don't want to toot all of our horns, but the entire design team and this department really pioneered a bunch of things that… — Christine Bieselin Clark Copy Share Image
Really, you have to keep everything streamlined, and lined and sexy and close to their body. They really had to work very hard at… — Christine Bieselin Clark Copy Share Image
We also had a team of costumers that would do samples for us, of fabrics, textures, people doing silhouettes of things up on dress… — Christine Bieselin Clark Copy Share Image
I think that you're very aware that you're shooting a 3D film for a movie that's beloved to the fan community, and that it's… — Christine Bieselin Clark Copy Share Image
It was all about how we were going to build these costumes with lighting in them, and trying to make them a little more… — Christine Bieselin Clark Copy Share Image
