We were such fans of Sleepy Hollow, in all of its iterations - growing up with the Disney show, and then Tim… — Alex Kurtzman Copy Share Image
When you're working on a scene, both in the script phase and also in the moment, you look around and you wait for the… — Alex Kurtzman Copy Share Image
As a director you have to be at 30,000 ft objectively looking at everything, wondering if you're making the right objective, emotional, story, character… — Alex Kurtzman Copy Share Image
I think our goal and intention is to make sure that, when you watch each episode, you don't have to make that choice, but… — Alex Kurtzman Copy Share Image
I think what all the Universal monster movies are defined by, and what makes them very special, is that it's really the only genre… — Alex Kurtzman Copy Share Image
The thing for me, and I can only really judge this by what I respond to myself as an audience member, I really only… — Alex Kurtzman Copy Share Image
I think what people watch television for is the emotional continuity, from episode to episode, and feeling that the experience that they had, four… — Alex Kurtzman Copy Share Image
In fact, we actually listen to fans all the time. It's helpful because you want to get a sense of what people are looking… — Alex Kurtzman Copy Share Image
You used to have to make a choice. Is it a serialized television show, or is it a stand-alone or procedural? We were wildly… — Alex Kurtzman Copy Share Image
By actually taking Sleepy Hollow and the Rip Van Winkle story, and finding the spirit of what was great about both of them and… — Alex Kurtzman Copy Share Image
When you start a script you aim to hit a note you know you want to end in general. — Alex Kurtzman Copy Share Image
I asked a director once what the secret of it all was, and he said you have to be so prepared that you are… — Alex Kurtzman Copy Share Image
I love the opportunity to tell the story about the characters through the music. — Alex Kurtzman Copy Share Image
