I was doing it the amateur way, doing everything myself till 'Naalaya Iyakunar.' They said, 'You need crew members'; they insisted on having proper production values. So I learnt a lot about making films for that show. — Karthik Subbaraj Copy Share Image
'Mercury' is one of the most challenging projects I have worked on. From the nuances of the actors' expressions to the minute technicals of the movie, everything needed to be monitored and looked into. The actors were required to emote… — Karthik Subbaraj Copy Share Image
I met Rajini sir after 'Jigarthanda,' and he said he liked my film. He told me I could approach him whenever I had a… — Karthik Subbaraj Copy Share Image
Short films are good, especially since independent films are making waves now, more than before. — Karthik Subbaraj Copy Share Image
My father has been a part of a few short films I made; he played a small but significant role in 'Jigarthanda.' — Karthik Subbaraj Copy Share Image
When I was making short films, I didn't see a way to give them a wider reach or earn revenue out of it. — Karthik Subbaraj Copy Share Image
I have been trying to get theatre releases for short films ever since I have been making them. I didn't get any response from… — Karthik Subbaraj Copy Share Image
I worked with an indie filmmaker called Mark Williams, a lawyer who was making a zero-budget family drama called 'Move Me.' — Karthik Subbaraj Copy Share Image
You need actors and performers, but there has to be content in a film. — Karthik Subbaraj Copy Share Image
I remember, when I was working in Bengaluru, Rajinikanth's film 'Sivaji' was releasing, and I wanted to watch it the first day, first show.… — Karthik Subbaraj Copy Share Image
At any filmmaking class, you learn the power of the visual medium and are always trying to minimise the words. — Karthik Subbaraj Copy Share Image
I would say 'Jigarthanda' had a lot of Tarantino in it, but it ends there. 'Iraivi' is inspired more from directors like Balu Mahendra,… — Karthik Subbaraj Copy Share Image
