'How to Survive a Plague' is history-telling at its best. It's a film I'll show my two children, now toddlers, when they… — Ira Sachs Copy Share Image
I try not to articulate ideas in the film once I've arrived on the plot and the characters. I believe that if… — Ira Sachs Copy Share Image
My early films were about self discovery, and films of internal conflict. At that level, they were very personal. — Ira Sachs Copy Share Image
So there's a choice that I made to tell stories that are still psychological melodramas about domestic issues. The challenge is to figure out… — Ira Sachs Copy Share Image
My father moved out to Park City in in the mid-'70s and lived in a Winnebago behind a hippie joint called Utah Coal &… — Ira Sachs Copy Share Image
I do love the young adult novels as a form and genre, because it has a purity of intention and heart. — Ira Sachs Copy Share Image
For me, an actor is really, first and foremost, a person and an individual, more than they are an actor or a professional. — Ira Sachs Copy Share Image
I make films that are very personal, and I always have. It's kind of the only thing that I think I have to offer… — Ira Sachs Copy Share Image
Everyone wants to belong, and everyone needs to belong in order to make a career on some level. — Ira Sachs Copy Share Image
I'm someone who can create critiques of individuals based on their economic history. That's one way I look at people in terms of one… — Ira Sachs Copy Share Image
I realize I have strength as an artist and professional by embracing my difference instead of what makes me the same. — Ira Sachs Copy Share Image
Every time you make a film, you create a world. You make decisions about sets and costumes, and you create a universe connected to… — Ira Sachs Copy Share Image
