In Australia, I almost became a counsellor. At the end of each performance there would be a queue of sobbing people backstage.… — John Kani Copy Share Image
Other theaters exist here solely to entertain the white audience and keep South Africa on a par with what's going on in… — John Kani Copy Share Image
In 1973, 'Sizwe Banzi is Dead' and 'The Island,' which I co-wrote with Athol Fugard and Winston Ntshona, transferred from The Royal… — John Kani Copy Share Image
In the global push to stop gender-based violence, men in the entertainment industry need to join forces with women to end violence… — John Kani Copy Share Image
A telenovela is a story that's like a soapie, but it has a beginning, middle and an end. — John Kani Copy Share Image
All over the world, there is someone sitting in a cell because he or she is not allowed freedom of expression. — John Kani Copy Share Image
I still remember the moment when my teacher, Mr. Budaza, walked into class and said, 'Today we are going to study 'Julius Caesar,' one… — John Kani Copy Share Image
I have never been attracted to television work. Even to appear in series and soapies. I have always appeared in theatre and major movies,… — John Kani Copy Share Image
Working with my friend Sir Antony Sher is truly one of the highlights of my career as an artist. — John Kani Copy Share Image
In Australia, I almost became a counsellor. At the end of each performance there would be a queue of sobbing people backstage. They all… — John Kani Copy Share Image
What does Macbeth want? What does Shakespeare want? What does Othello want? What does James want? What does Arthur Miller want when he wrote?… — John Kani Copy Share Image
Every time there is a movie that tells a South African story, it is done by someone who must be taught the right way… — John Kani Copy Share Image
In South Africa, it is different. When you are born not even your father knows what is going to happen in your life. — John Kani Copy Share Image
