You learn, of course, when you're working with something good, but you also can learn when you're working with things that are not good. You can see the reasons they're not good. I would sometimes suggest what could be done,… — Roger Corman Copy Share Image
When I started I had no knowledge of films whatsoever. I was an engineering major at Stanford. And I found out as a senior… — Roger Corman Copy Share Image
I'm not going to shoot seven days a week. I think it's counterproductive. I think you're going to have people stumbling around after a… — Roger Corman Copy Share Image
I was young, so I was part of youth culture. The years went by, I became older and no longer part of youth culture,… — Roger Corman Copy Share Image
I think anybody who's working in a creative medium is working partially with their conscious mind, partially with their unconscious mind. So, my unconscious… — Roger Corman Copy Share Image
There was a fairly big difference between Detroit and Beverly Hills. I remember this. Detroit actually was a prosperous bustling city when we moved… — Roger Corman Copy Share Image
I do believe motion pictures are the significant art form of our time. And I think the main reason is, they're an art form… — Roger Corman Copy Share Image
You can make a movie about anything, as long as it has a hook to hang the advertising on. — Roger Corman Copy Share Image
As a producer, I probably am a little stronger than most, since I was a director originally. — Roger Corman Copy Share Image
Other writers, producers, and directors of low-budget films would often put down the film they were making, saying it was just something to make… — Roger Corman Copy Share Image
I remember the first film I reviewed for the Daily was a John Ford Western. I think it was My Darling Clementine, but I… — Roger Corman Copy Share Image
There's always something that draws you away from the original script. — Roger Corman Copy Share Image
