“I ended up going into this big art historical argument.' [Barry Blinderman] invoked, for example, Matthias Grünewald’s Isenheim altarpiece, painted in the sixteenth century for a monastery where monks cared for people with skin diseases—so the suffering Christ in that… — Cynthia Carr Copy Share
“As they walked out onto Second Avenue, with David in a body bag, there was one last surreal moment. The singer and composer Diamanda Galás happened to be walking by. She and David had never met, but they'd spoken once on the phone. She shared his commitment to addressing AIDS, in her case through 'The Plague Mass,' which showcased her… — Cynthia Carr Copy Share
“I ended up going into this big art historical argument.' [Barry Blinderman] invoked, for example, Matthias Grünewald’s Isenheim altarpiece, painted in the sixteenth century for a monastery where monks cared for people with skin diseases—so the suffering Christ in that painting shows symptoms of skin disease. 'It’s because he’s the man of sorrows,' Blinderman argued. 'He takes on the suffering… — Cynthia Carr Copy Share