The subject should be observed more for shape and color than for drawing... precise drawing is dry and hampers the impression of the whole, it destroys all sensations. — Camille Pissarro Copy Share Image
I remember that, although I was full of fervour, I didn't have the slightest inkling, even at forty, of the deeper side to the… — Camille Pissarro Copy Share Image
It does not astonish me that the critics in London relegate me to the lowest rank. Alas! I fear that they are only too… — Camille Pissarro Copy Share Image
Observe that it is a great error to believe that all mediums of art are not closely tied to their time. — Camille Pissarro Copy Share Image
At fifty, that is in 1880, I formulated the idea of unity, without being able to render it. At sixty, I am beginning to… — Camille Pissarro Copy Share Image
I began to understand my sensations, to know what I wanted, at around the age of forty - but only vaguely. — Camille Pissarro Copy Share Image
Painting, art in general, enchants me. It is my life. What else matters? When you put all your soul into a work, all that… — Camille Pissarro Copy Share Image
I sometimes have a horrible fear of turning up a canvas of mine. I'm always afraid of finding a monster in place of the… — Camille Pissarro Copy Share Image
We are all the subjects of impressions, and some of use seek to convey the impressions to others. In the art of communicating impressions… — Camille Pissarro Copy Share Image
It is only by drawing often, drawing everything, drawing incessantly, that one fine day you discover to your surprise that you have rendered something… — Camille Pissarro Copy Share Image
