I am very suspicious of cameras and dramatic interpretations and the whole Hollywood myth-making process. I don't trust it. I've seen it… — Wayne White Copy Share Image
Exposing something that's painful or raw or not so pleasant. That seems to be the dramatic motor of documentaries, exposure. — Wayne White Copy Share Image
I'm neurotic in the sense that I can have a crowd of 300 people cheering you, applauding you, standing O, but one guy come… — Wayne White Copy Share Image
I wanted to deconstruct the puppet show. I wanted to turn it inside out and do stuff that you're not supposed to do. I… — Wayne White Copy Share Image
I had to learn to do stuff only for myself, and stop thinking about pleasing some imaginary client or boss. It's a habit that… — Wayne White Copy Share Image
Puppets are pure form then ideas for performance come out of that. It's always the form and the visuals and that's why I like… — Wayne White Copy Share Image
I would advise puppeteering for any artist. It's a way to break down pretensions. It's a sculpture that can talk. It's a painting that… — Wayne White Copy Share Image
I've been around Hollywood and filmmaking long enough to know that it's a tricky dangerous business when you go on camera, you got to… — Wayne White Copy Share Image
But nobody predicted anything of this magnitude in terms of resistance. And in part, the magnitude of the resistance was spurred by our failures… — Wayne White Copy Share Image
No matter how much I'm on and people are loving me, there's always some like, and it's usually a woman too, in the audience… — Wayne White Copy Share Image
I want to reach out and entertain people. I want people to come to a museum that have never been in a museum before.… — Wayne White Copy Share Image
Once the cameras rolling or the audience is in the seats, I'm on. I can't help it. I go into a trance. — Wayne White Copy Share Image
