I got a dollhouse when I was six, and my sister would always say, 'You realize you're just talking to yourself. What are you doing?' That kind of opened up this creative need to tell stories. — Misha Green Copy Share Image
'Lovecraft Country' is reclaiming all these pulp genres for people of color. — Misha Green Copy Share
Horror is my favorite genre, but it works best for me when it's a metaphor on top of something we can all relate to. — Misha Green Copy Share
The Underground Railroad was a spy network for the North and that story has never been told. — Misha Green Copy Share
For me, I feel like horror space has always been a space of the other, even when it's not people of color or black… — Misha Green Copy Share
When I first read 'Lovecraft Country' I knew it had the potential to be unlike anything else on television. — Misha Green Copy Share
You know, being an 'other' in this world, you're walking around in a horror movie at all times, you're always on edge and wondering… — Misha Green Copy Share
Oppression is not limited to people of color, but if you feel guilty that's something you should confront. — Misha Green Copy Share
'Get Out' definitely brought it to the mainstream, but you can look back at the original 'Night of the Living Dead' and that's definitely… — Misha Green Copy Share
The Underground Railroad was the first integrated civil rights movement. And it's a great example of when we work together, what we can go… — Misha Green Copy Share
If the actors aren't reacting the way people would react, that's where you step into disbelief. — Misha Green Copy Share
It's easy to let ourselves off the hook and say, 'Oh, I would never own slaves.' Because this is in the DNA of this… — Misha Green Copy Share
I was like, 'Oh, let's do a show about the Underground Railroad.' I never come up with great titles, and I thought, 'Underground' is… — Misha Green Copy Share
I think, because you look around in Hollywood, and there are no 'me's. There's nobody that's as young as me, as black as me… — Misha Green Copy Share
