What a long way it is from one life to another: yet why write if not for that distance; if things can be let go, every before replaced by an after. — Yiyun Li Copy Share Image
Almost all of the stories in The Matchmaker, the Apprentice, and the Football Fan are told in the first person, yet, depending on the angle and distance of the narrator, they exert different effects. The best are those in which… — Yiyun Li Copy Share Image
“I am not and autobiographical writer--one can't be without a solid and explicable self--and read all autobiographical writers with the same curiosity. What kind… — Yiyun Li Copy Share Image
One easy mistake to make with the first novel is to expand the short story. Some things are better as a story; you cannot… — Yiyun Li Copy Share Image
“sometimes Moran wondered if her chief merit was her willingness to serve as a human receptacle for details. Sympathy and admiration and surprise she… — Yiyun Li Copy Share Image
I always tell my students to go back after a hundred pages and rewrite from the beginning. It's really harder if you've already finished… — Yiyun Li Copy Share Image
She wonders if this is what people call falling in love, the desire to be with someone for every minute of the rest of… — Yiyun Li Copy Share Image
Some people in China don't look at freedom of speech as an abstract ideal, but more as a means to an end. — Yiyun Li Copy Share Image
“It saddened her that Luo insisted on holding on to her as if they had started to share some vital organs during their twenty… — Yiyun Li Copy Share Image
To write about a struggle amidst the struggling: one must hope that the muddling will end someday. — Yiyun Li Copy Share Image
What is revolution except a systematic way for one species to eat another alive? — Yiyun Li Copy Share Image
“His mother had always been a headstrong woman, and with her grayish-white mane and unsmiling face, she appeared as regal and intimidating as she… — Yiyun Li Copy Share Image
