Producing a one-hour show that has to reinvent musical numbers, and interpret those musical numbers with a large cast, is difficult. — Kevin Reilly Copy Share Image
I love talent because they are passionate. They can be emotional and irrational and unpredictable... and that's okay, because all we want is something… — Kevin Reilly Copy Share Image
It used to be a given that the talent and the talent agencies would line up around the broadcast pitch season first and then… — Kevin Reilly Copy Share Image
People love television; they're watching a lot of it in a lot of ways. — Kevin Reilly Copy Share Image
The one thing that I'm really obsessed with is multi-camera comedy. It is a form that is unique to network television. — Kevin Reilly Copy Share Image
Some of the greatest shows in history - 'Seinfeld,' 'Everybody Loves Raymond' and 'House' - had puny starts but the benefit of schedule protection,… — Kevin Reilly Copy Share Image
Pilots are useful. You just learn things during a pilot - the piece of casting that just wasn't right or things about the storytelling… — Kevin Reilly Copy Share Image
The way television is done, you're kind of set on a certain path, and then episodic directors come in every week to try to… — Kevin Reilly Copy Share Image
The biggest move that put Fox on the map, from an entertainment perspective, was when 'The Simpsons' moved to Thursday night, and that was… — Kevin Reilly Copy Share Image
Creative content is challenging, no matter what, and animation is particularly challenging. — Kevin Reilly Copy Share Image
When you start to feel you're not coming to work with the same enthusiasm, maybe you shouldn't hang onto that job. — Kevin Reilly Copy Share Image
