In the good times of Dada, we detested polished works, the distracted air of spiritual struggle, the titans, and we rejected them with all out being. — Hans Arp Copy Share Image
“La mariposa disecada se convierte en una mamariposa disesecada la mamariposa disesecada se convierte en una granmamariposa grandisesecada” — Hans Arp Copy Share
Ever since my childhood, I was haunted by the search for perfection. An imperfectly cut paper literally made me ill. I would guillotine it. — Hans Arp Copy Share
In recent times, Surrealist painters have used descriptive illusionistic academic methods. — Hans Arp Copy Share
Zurich in 1915,... While the thunder of the batteries rumbled in the distance, we pasted, we recited, we versified, we sang with all our… — Hans Arp Copy Share
I like nature but not its substitutes... Mondrian opposed art to nature saying that art is artificial and nature is natural. I do not… — Hans Arp Copy Share
We attempted perfection; we wanted an object to be without flaw, so we cut the papers with a razor, pasted them down meticulously, but… — Hans Arp Copy Share
The vertical and the horizontal are the extreme signs available to man for touching the beyond and his inwardness. — Hans Arp Copy Share
While guns rumbled in the distance, we sang, painted, made collages and wrote poems with all our might. We were seeking an art based… — Hans Arp Copy Share
In 1915 Sophie Tauber and I carried out our first works in the simplest forms, using painting, embroidery and pasted paper (without using oil… — Hans Arp Copy Share
Since the time of the cavemen, man has glorified himself, has made himself divine, and his monstrous vanity has caused human catastrophe. Art has… — Hans Arp Copy Share
The man who speaks and writes about art should refrain from censuring or pontificating. He will thus avoid doing anything foolish, for in the… — Hans Arp Copy Share
Each one of these bodies (art-works Arp made) certainly signifies something, but it is only once there is nothing left for me to change… — Hans Arp Copy Share
Already in 1915, Sophie Tauber divides the surface of her aquarelle into squares and rectangles which she then juxtaposes horizontally and perpendicularly as Mondrian,… — Hans Arp Copy Share
