Amazingly, my first project at Granta was the Sex issue. Given my own proclivity for the nuances of hedonistic and sexual exploration, partly through art, it was a perfect way to start. I love to interrogate through image - or… — Michael Salu Copy Share Image
One Negro meeting another at an all-white cocktail party cannot but wonder how the other got there. The question is: Is he for real?… — Michael Salu Copy Share Image
Though I've spent years working with and creating images, I feel most comfortable expressing myself through writing. — Michael Salu Copy Share Image
It's odd. Though I've spent years working with and creating images, I feel most comfortable expressing myself through writing. I'd been in denial about… — Michael Salu Copy Share Image
You may change your profile picture to Trayvon Martin or Eric Garner, but you will never actually walk the streets the way they have,… — Michael Salu Copy Share Image
Amazingly, my first project at Granta was the Sex issue. Given my own proclivity for the nuances of hedonistic and sexual exploration, partly through… — Michael Salu Copy Share Image
Through panel moderations and talks around culture, politics and identity I gradually gained opportunities to write in my own voice and not that of… — Michael Salu Copy Share Image
Alliances, in the great cocktail party of the white man's world, are formed, almost purely, on this basis, for of both of you can… — Michael Salu Copy Share Image
I realize after spending so long working with images, semiotic deconstruction and redeployment becomes second nature. We all speak with images. I guess I… — Michael Salu Copy Share Image
Artists are often having very similar conversations across the various disciplines through which they choose to excel, but you rarely see them exist in… — Michael Salu Copy Share Image
I'm interested in a lot of the languages that drive our culture. I'm interested in user experience as language or how societal malaise takes… — Michael Salu Copy Share Image
I was keen to challenge this vernacular as the role of the photojournalist was changing, and images were becoming urgent and more succinctly linguistic.… — Michael Salu Copy Share Image
