The great irony is that women are accused of making romantic comedies, as if it's a bad thing, but [(500) Days of Summer] Marc Webb makes a romantic comedy and he gets Spider-Man [as his next project]. Are you kidding… — Manohla Dargis Copy Share
The movie industry is failing women. And until the industry starts making serious changes, nothing is going to change. — Manohla Dargis Copy Share Image
Ben Stiller isn't funny - honest. Ben Stiller is very funny, and smart, and cute, too, in a neurotic, New York kind of way. — Manohla Dargis Copy Share Image
There isn’t anything good to say about Kick-Ass 2, the even more witless, mirthless follow-up to Kick-Ass. — Manohla Dargis Copy Share
Moment by moment, with a twitch, a shudder, a look, it's Mr. Hardy who movingly draws you in, turning a stranger's face into a… — Manohla Dargis Copy Share Image
In 1963 ... The Vatican condemned Dr. No as a 'dangerous mixture of violence, vulgarity, sadism and sex.' Ka-ching! — Manohla Dargis Copy Share Image
Dancer, bride, runaway wife, radical filmmaker and pioneer - Shirley Clarke is one of the great undertold stories of American independent cinema. — Manohla Dargis Copy Share
The New World is rated PG-13 (Parents strongly cautioned). There is some intense, bloodless violence and the beautiful underage lead actress (15-year-old Q'orianka Kilcher)… — Manohla Dargis Copy Share Image
Created for MTV in 1990, the sharply observed, pop-conscious Ben Stiller Show - featuring its star's lacerating impersonations of Bono, Tom Cruise, and Eddie… — Manohla Dargis Copy Share Image
The great irony is that women are accused of making romantic comedies, as if it's a bad thing, but [(500) Days of Summer] Marc Webb makes a romantic comedy and he gets Spider-Man [as his next project]. Are you kidding me? You cannot win. — Manohla Dargis Copy Share
An acquired taste, this dense Jabberwocky-ish word salad is a political allegory about a populace that's been pharmaceutically duped into believing its wretched world… — Manohla Dargis Copy Share Image
American commercial cinema has long been dominated by men, but I don’t think there has ever been another time when women have been as underrepresented on screen as they are now. The biggest problem isn’t genuinely independent cinema, where lower budgets mean more opportunities for women in front of and behind the camera. The problem is the six major studios… — Manohla Dargis Copy Share
