Ann Winder-Boyle's small-scale encaustic pictures always reward a second look - they have an intriguing edge of darkness about them. — Andrew Graham-Dixon Copy Share Image
The edge of a painting is its frontier... where the artist negotiates his boundaries with the real world... where art begins and ends and… — Andrew Graham-Dixon Copy Share Image
Ann Winder-Boyle's small-scale encaustic pictures always reward a second look - they have an intriguing edge of darkness about them. — Andrew Graham-Dixon Copy Share Image
At its edges, a painting makes its surrender to reality. The ways in which it can do so are endlessly revealing, as infinite as… — Andrew Graham-Dixon Copy Share Image
Many of Bonnard's later paintings are shot through with a powerful sense of morbidity. The self-portraits he painted after catching sight of himself in… — Andrew Graham-Dixon Copy Share Image
The edge in modern painting is charged with neurosis; it meets a world that no longer confirms it but which is hostile or at… — Andrew Graham-Dixon Copy Share Image
