I've always loved cuneiform; I've always loved the way it looks. I love that it's the world's oldest script. And the creative potential of bad translation or misunderstanding or something has always been at the core of the idea of… — David Longstreth Copy Share Image
I think, for Solange, it was important to make a super-strong direct statement with 'A Seat at the Table,' and she thought 'Cool Your… — David Longstreth Copy Share Image
Ninety percent of touring is a logistical maneuver, moving your body and everyone else's from one city to the next. You're like a piece… — David Longstreth Copy Share Image
I used to feel that musical knowledge and emotional truth-telling were antagonistic. But I was too curious about chords and instruments and recording to… — David Longstreth Copy Share Image
You have to figure out as a band how a band becomes a business, and then you have to keep that business mentality separate… — David Longstreth Copy Share Image
One of the things I really like about West African guitar playing is the way it makes harmony linear. They're really spelling things out… — David Longstreth Copy Share Image
What genres are good for is being like, 'Here are the parameters. Here's something about the way it's going to make you feel. And… — David Longstreth Copy Share Image
Clearly, things are definitely changing in big ways as far as the way we consume music, listen to music, and what we expect from… — David Longstreth Copy Share Image
I do feel like the hardest thing is to do something simple and tap into whatever remains of our common language rather than cultivating… — David Longstreth Copy Share Image
Just like any songwriter, the songs come out of where I am in my life and what I'm doing and who I'm hanging out… — David Longstreth Copy Share Image
At the end of the touring on Bitte, looking back on all that stuff, I feel really proud of having written that music and… — David Longstreth Copy Share Image
