There is something about the light, the heat (physical and perhaps metaphysical), the vibrancy of street life, and the rawness and disjointedness… — Alex Webb Copy Share Image
Color is very much about atmosphere and emotion and the feel of a place. — Alex Webb Copy Share Image
I only know how to approach a place by walking. For what does a street photographer do but walk and watch and wait and… — Alex Webb Copy Share Image
My understanding – of course, I’m not a philosopher or a scientist – of an aspect of Goethe’s theory of color is that he… — Alex Webb Copy Share Image
I have always felt that a lot of the most interesting work, not just mine but other people's, falls into [the] nether area, somewhere… — Alex Webb Copy Share Image
To a certain extent what I do is play with the world, but it's disciplined play. — Alex Webb Copy Share Image
I'm always playing along that line: adding something more, yet keeping it sort of chaos. — Alex Webb Copy Share Image
I mean its an obsession, you follow the obsession but at the same time you have so many doubts, you know. Why am I… — Alex Webb Copy Share Image
Traditional photojournalists arrive with an idea of what they are going to produce or what the editor wants. I approach a subject very much… — Alex Webb Copy Share Image
Ultimately, the reward is the process - the process of photographing and discovering and trying to understand why and what am I photographing. — Alex Webb Copy Share Image
It's not just that that and that exists. It's that that, that, that, and that all exist in the same frame. I'm always looking… — Alex Webb Copy Share Image
Running through a lot of traditional photojournalism there is an overwhelming sense of... pictures that say something, that define something. I'm not trying to… — Alex Webb Copy Share Image
The viewer is yet another eye that is part of the compact that makes a photograph what it is. — Alex Webb Copy Share Image
