Any photographer worth his/her salt - that is, any photographer of professional caliber, in control of the craft, regardless of imagistic bent - can make virtually anything look good. Which means, of course, that she or he can make virtually… — A. D. Coleman Copy Share Image
... the battle for the acceptance of photography as Art was not only counter-productive but counter-revolutionary. The most important photography is most emphatically not Art. — A. D. Coleman Copy Share Image
It is no coincidence that one cardinal rule in brainwashing is to remove from the victim all photographs of himself and people he has… — A. D. Coleman Copy Share Image
What a photograph shows us is how a particular thing could be seen, or could be made to look - at a specific moment,… — A. D. Coleman Copy Share Image
The past is always with us, in the form of our photographs, which we feel as we might a rosary, wearing them smooth with… — A. D. Coleman Copy Share Image
Any photographer worth his/her salt - that is, any photographer of professional caliber, in control of the craft, regardless of imagistic bent - can… — A. D. Coleman Copy Share Image
We've spent now about 150 years trying to convince ourselves that photographs are reliable evidence, some unimpeachable slice of the real world. That was… — A. D. Coleman Copy Share Image
Photographs are of course about their makers, and are to be read for what they disclose in that regard no less than for what… — A. D. Coleman Copy Share Image
