Face, to me, is a metaphor of sadness. And I want to share this sadness. I'm not really interested whether it's an Indian face… — Luis Gonzalez Copy Share
To have a museum like the Museum of Modern Art in New York is to have power. I don't have any interest in being… — Luis Gonzalez Copy Share
I'd prefer to invite the artists simply to work and have fun with Guatemalan artists. To share missions of life. Maybe that is more… — Luis Gonzalez Copy Share
You could buy 100 lottery tickets and not win, or you could buy one and get it, — Luis Gonzalez Copy Share
If you can explain a poem, it is not a poem. Poetry has to be inexplicable. — Luis Gonzalez Copy Share
When you're somebody who has the pretension to make art, it's completely different from when someone else says I want to make a book… — Luis Gonzalez Copy Share
I am a postmodern romantic. I try to use their way to photograph, and at the same time, incorporate the problems that I feel… — Luis Gonzalez Copy Share
Usually the Indian people are outsiders who have to look up at the people who look down. — Luis Gonzalez Copy Share
Fortunately I don't want to be part of the mainstream. When I see a Kiki Smith work, for example, she's very contemporary, and I… — Luis Gonzalez Copy Share
It's very hard to try to be a cultural . . . people who organize cultural things . . . it's very complicated. And… — Luis Gonzalez Copy Share
The Indians are a marginal people in Guatemala just like I am a marginal person in the first world. — Luis Gonzalez Copy Share
I am an architect. I try to feel the transparency in contemporary buildings and I try to understand the transparency in Zen poetry. I… — Luis Gonzalez Copy Share
