There's this point between conscious and subconscious when you realize you were asleep and resting, and you were having all kinds of anxiety dreams about the film and all the things that can go wrong. You get in this hypnagogic… — David Slade Copy Share Image
Being able to communicate what your vision is clearly and with specificity is the most important thing a director can do. — David Slade Copy Share Image
Certainly there is a lot of collaboration, but there is also a lot of clarity that has to be had in the vision that… — David Slade Copy Share Image
I feel like I'm in a weird state, and I wake up in Hollywood, and I've got a couple of studio movies underneath my… — David Slade Copy Share Image
When you are doing music videos through the '90s, which I did, and the 2000s, you were put in the position, really, as an… — David Slade Copy Share Image
'Twilight' was a cult film, and the books were huge, but after 'New Moon,' it really blew up. — David Slade Copy Share Image
When I got the script for 'Eclipse,' I thought it was a damn good story. — David Slade Copy Share Image
With 'Cold Skin,' I believe we can create a lasting psycho-physiological horror film. It is one of the most atmospheric, terrifying, cinematic, and original… — David Slade Copy Share Image
I think filmmaking is largely about preparation and taste and luck. If you have all of those three things, I think you will find… — David Slade Copy Share Image
Francis Lawrence is an astonishing filmmaker, an incredibly gifted visual filmmaker. I have great respect for his work. — David Slade Copy Share Image
I believe that filmmaking is a brilliant thing to do - be doing - for a living. — David Slade Copy Share Image
