As far as I am concerned the paint is the person. I want it to work for me just as flesh does — Lucian Freud Copy Share Image
I want paint to work as flesh... my portraits to be of the people, not like them. Not having a look of… — Lucian Freud Copy Share Image
The aura given out by a person or object is as much a part of them as their flesh. The effect that… — Lucian Freud Copy Share Image
A moment of complete happiness never occurs in the creation of a work of art. The promise of it is felt in the act… — Lucian Freud Copy Share Image
I don't want any colour to be noticeable... I don't want it to operate in the modernist sense as colour, something independent... Full, saturated… — Lucian Freud Copy Share Image
Since the model he so faithfully copies is not going to be hung up next to the picture... it is of no interest whether… — Lucian Freud Copy Share Image
It is the only point of getting up every morning: to paint, to make something good, to make something even better than before, not… — Lucian Freud Copy Share Image
Full, saturated colours have an emotional significance I want to avoid. — Lucian Freud Copy Share Image
Sometimes, when I've been staring too hard, I've noticed that I could see the circumference of my own eye. — Lucian Freud Copy Share Image
I remember Francis Bacon would say that he felt he was giving art what he thought it previously lacked. With me, it's what Yeats… — Lucian Freud Copy Share Image
I think half the point of painting a picture is that you don't know what will happen... that if painters did know what was… — Lucian Freud Copy Share Image
I work from the people that interest me, and that I care about, in rooms that I live in and know. I use the… — Lucian Freud Copy Share Image
