Yes, Carl Vine stuck around. He's now number one composer for choreography. — Graeme Murphy Copy Share Image
We moved, and there was a golden era in the '40s when we were so conscious of who we were as Australians. — Graeme Murphy Copy Share Image
I look at the dancers and I get the inspiration for the work from them. — Graeme Murphy Copy Share Image
But I also wanted to give them an intelligent emotional journey, without having to suspend reality - to be able to look at those… — Graeme Murphy Copy Share Image
Sydney is a very good market for us - we have a very strong following here. — Graeme Murphy Copy Share Image
I always figure I have this tree and there's always some green fruit that's not ready to pick or blossoms that are ready to… — Graeme Murphy Copy Share Image
I'm thrilled at the moment because our audiences, you know, they... the demographic is 50% male. — Graeme Murphy Copy Share Image
I mean, I think in the early days we were pretty... pretty British in our entertainment leads. — Graeme Murphy Copy Share Image
I actually build my dreams around the dancers I've got in my company. — Graeme Murphy Copy Share Image
I wanted to give people - which is fairly bizarre considering my whole life is contemporary dance really - I wanted to give people… — Graeme Murphy Copy Share Image
And currently, there are four to five new works in the pipeline for upcoming celebrations such as the Sydney 2000 Olympics, Australian Federation, my… — Graeme Murphy Copy Share Image
