“Hidden away behind the closed doors of aristocratic and bourgeois privilege, concealed under those ultra-respectable masks of black frock coat and veil, the green glow of corruption flickers into sight, steadies, and spreads everywhere, fostered by Lorrain's horrified and complicitous… — Jennifer Birkett Copy Share Image
“Here, in Lorrain's poisoned little jewel of a tale (“The Man Who Made Wax Heads”) the consummate achievement of decadent art is caught in… — Jennifer Birkett Copy Share Image
“In this image (watching sensual murder through a peephole) Lorrain embodies the criminal delight of decadent art. The watcher who records the crimes (both… — Jennifer Birkett Copy Share Image
“Hidden away behind the closed doors of aristocratic and bourgeois privilege, concealed under those ultra-respectable masks of black frock coat and veil, the green… — Jennifer Birkett Copy Share Image
“Art serves to confront that which is outside order, to give form to the obscene. In the process, it opens it to transformations that… — Jennifer Birkett Copy Share Image
“Art makes murder into the supreme image of Beauty and in doing so sets free the vengeful God. (referring to Jean Lorrain's LE VICE… — Jennifer Birkett Copy Share Image
“At issue for Peladan is the potency of the visual image: art's ability to construct images for viewing that can mobilize, concentrate and redirect… — Jennifer Birkett Copy Share Image
“Everyone in a decadent society, Lorrain urges, is guilty. Everyone loves masking murder and everyone takes masochistic pleasure in the risk of discovery and… — Jennifer Birkett Copy Share Image
“The mask of art is the means through which corruption is spread. The mask makes vice seem beautiful, turns squalor and nastiness into glamorous… — Jennifer Birkett Copy Share Image
