In our young days, when Modigliani and I first came to Paris, in 1906, nobody was very clear about ideas. But unconsciously,… — Gino Severini Copy Share Image
In the early days the Cubism' method of grasping an object was to go round and round it. The Futurists declared that one had… — Gino Severini Copy Share Image
In our young days, when Modigliani and I first came to Paris, in 1906, nobody was very clear about ideas. But unconsciously, we knew… — Gino Severini Copy Share Image
Futurism and Cubism are comparable in importance to the invention of perspective, for which they substituted a new concept of space. All subsequent movements… — Gino Severini Copy Share Image
Before my encounter with Thomist philosophy through Maritain, I had almost reached the same conclusions through the logical development of my work, intuition and… — Gino Severini Copy Share Image
It should also be born in mind that the research on 'movement' and the dynamic outlook on the world, which were the basis of… — Gino Severini Copy Share Image
Philosophers and aestheticians may offer elegant and profound definitions of art and beauty, but for the painter they are all summed up in the… — Gino Severini Copy Share Image
One of the main causes of our artistic decline lies beyond doubt in the separation of art and science. — Gino Severini Copy Share Image
