Since your time is your main involvement here - I mean, the clay doesn't cost very much. Even the glaze and the… — Warren MacKenzie Copy Share Image
What I didn't know at the time [of my scholarship] was that the ceramic class was not really a very good class.… — Warren MacKenzie Copy Share Image
In working on a drawing or a painting, one can rework and rework and rework and change ideas until you get it… — Warren MacKenzie Copy Share Image
When Bernard [Leach] wrote his book, he wrote about the fact that even when pots are made in a series, there is… — Warren MacKenzie Copy Share Image
We were working from very exact models and dimensions and weights of clay to make these pots which had been designed some… — Warren MacKenzie Copy Share Image
In fact, I believe to a certain extent a person today who starts with just clay, with no drawing and no painting… — Warren MacKenzie Copy Share Image
In the Leach Pottery we did most of our work on the wheel. [Bernard] Leach did a little work in the studio,… — Warren MacKenzie Copy Share Image
[Shoji] Hamada's [drawings] were little one-line notations of something he wanted to remember about a pot or a piece of furniture or… — Warren MacKenzie Copy Share Image
When we worked at the pottery, we did learn to make pots, that is, the physical act of making the pot. We… — Warren MacKenzie Copy Share Image
[Kathleen Blackshear] just said, "Have you thought of looking at this?" and so on and so on and so on. And it was a… — Warren MacKenzie Copy Share
Some years ago I was working on some forms which were vase forms with a fairly narrow base, and it was after [Hans] Coper… — Warren MacKenzie Copy Share
I found out later on that was not true, that life drawing tells you a great deal about rhythm, about the structure of a… — Warren MacKenzie Copy Share
Remember, this is back in the '40s, and the idea of a museum being a place where interested people could come in direct contact… — Warren MacKenzie Copy Share
At the end of that two weeks Bernard [Leach] asked us if we would like to sit with him tending the kiln, the big… — Warren MacKenzie Copy Share
I got drafted into the army and by pure chance was pushed into a silk-screen shop at this camp where I was, because they… — Warren MacKenzie Copy Share
[In the Field Museum of Natural History] we could see very simple, primitive, hand-built pottery from Babylonia and ancient Egypt and so forth, Greece.… — Warren MacKenzie Copy Share
Chicago is a wonderful area because it's blessed with a tremendous number of museums of various sorts, not only the Art Institute of Chicago… — Warren MacKenzie Copy Share
It was a wonderful opportunity. And so for two and a half years we lived with [Bernard] Leach. — Warren MacKenzie Copy Share
We thought [with Alix MacKenzie], if those are the kinds of pots from every culture that interest us, why would we think that it… — Warren MacKenzie Copy Share
I went to the Chicago Art Institute, which was the best painting school in the area at that time. And I took painting classes… — Warren MacKenzie Copy Share
It was there that we really first came in contact with the work of Shoji Hamada, who was Bernard's best friend from Japan, who… — Warren MacKenzie Copy Share
Bernard [Leach] was making pots which were duplicates of his drawing, and that was a difference of approach, which I think is quite critical… — Warren MacKenzie Copy Share
I don't know, it's very difficult if you're in a strange country to just barge in and say, "Hello, I'm Warren MacKenzie, and aren't… — Warren MacKenzie Copy Share
[Shoji] Hamada seldom drew an exact drawing of a pot that he was going to make. — Warren MacKenzie Copy Share
![“What I didn't know at the time [of my scholarship] was that the ceramic class was not really a very good class. This was many years ago and should not reflect on the conditions at the Art Institute of Chicago to this day, but we didn't know anything and we started to learn about how to work with…” quote by Warren MacKenzie](https://sms4smile.com/quotes/i/b8d/warren-mackenzie-4654_art_what-i-didn-t-know-at-the-time-of-my-sch_1457260.jpg)
![“When Bernard [Leach] wrote his book, he wrote about the fact that even when pots are made in a series, there is a personality to each pot and that the person who made it reflects their personality into the clay.” quote by Warren MacKenzie](https://sms4smile.com/quotes/i/95c/warren-mackenzie-4654_book_when-bernard-leach-wrote-his-book-he-wro_1910353.jpg)
![“We were working from very exact models and dimensions and weights of clay to make these pots which had been designed some 10 or 12 years previous to our arriving [at Bernard's Leach studio]. And we, being, I guess you would say young, arrogant Americans, thought that we ought to be able to somehow…” quote by Warren MacKenzie](https://sms4smile.com/quotes/i/3ce/warren-mackenzie-4654_able_we-were-working-from-very-exact-models-a_2464088.jpg)
![“In the Leach Pottery we did most of our work on the wheel. [Bernard] Leach did a little work in the studio, which was press-molded forms, plastic clay pressed into plaster forms to make small rectangular boxes and some vase forms, which he liked to make. These were molds which had been made to an…” quote by Warren MacKenzie](https://sms4smile.com/quotes/i/3a8/warren-mackenzie-4654_boxes_in-the-leach-pottery-we-did-most-of-our_447338.jpg)
![“[Shoji] Hamada's [drawings] were little one-line notations of something he wanted to remember about a pot or a piece of furniture or a landscape or something like that, and they were just done very quickly and they had, he thought, no artistic quality. They're not great drawings, but they served…” quote by Warren MacKenzie](https://sms4smile.com/quotes/i/f43/warren-mackenzie-4654_artistic_shoji-hamada-s-drawings-were-little-one_2030891.jpg)
