“Whose maps are we trying to read? And what are we trying to draw? It's so common to live in a place… — Rebecca Solnit Copy Share Image
For me the insurrectionary possibilities of disaster are what make them really interesting and sometimes positive - Mexico City's big 1985 earthquake… — Rebecca Solnit Copy Share Image
Solitude in the city is about the lack of other people or rather their distance beyond a door or wall, but in… — Rebecca Solnit Copy Share Image
Italian cities have long been held up as ideals, not least by New Yorkers and Londoners enthralled by the ways their architecture… — Rebecca Solnit Copy Share Image
In great cities, spaces as well as places are designed and built: walking, witnessing, being in public, are as much part of… — Rebecca Solnit Copy Share Image
Cities have always offered anonymity, variety, and conjunction, qualities best basked in by walking: one does not have to go into the… — Rebecca Solnit Copy Share Image
Las Vegas suggests that the thirst for places, for cities and gardens and wilderness, is unslaked, that people will still seek out… — Rebecca Solnit Copy Share Image
A city always contains more than any inhabitant can know, and a great city always makes the unknown and the possible spurs… — Rebecca Solnit Copy Share Image
Walkers are 'practitioners of the city,' for the city is made to be walked. A city is a language, a repository of… — Rebecca Solnit Copy Share Image
“Georgia O’Keeffe moved to rural New Mexico, from which she would sign her letters to the people she loved, “from the faraway nearby.” It… — Rebecca Solnit Copy Share Image
Joy doesn't betray but sustains activism. And when you face a politics that aspires to make you fearful, alienated and isolated, joy is a… — Rebecca Solnit Copy Share Image
“To love someone is to put yourself in their place, we say, which is to put ourself in their story, or figure out how… — Rebecca Solnit Copy Share Image
“People have always been good at imagining the end of the world, which is much easier to picture than the strange sidelong paths of… — Rebecca Solnit Copy Share Image
“Whose maps are we trying to read? And what are we trying to draw? It's so common to live in a place without truly… — Rebecca Solnit Copy Share Image
“I was being cured of soldiering on endlessly: my job was now to be still, which had become almost easy at last.” — Rebecca Solnit Copy Share Image
In the aftermath of 9/11, people had not a good time, but a deep, profound, rousing time, woke up from their ennui and isolation… — Rebecca Solnit Copy Share Image
“I wonder now about Demeter and Persephone. Maybe Persephone was glad to run off with the king of death to his underground realm, maybe… — Rebecca Solnit Copy Share Image
[In mountaineering, if] we look for private experience rather than public history, even getting to the top becomes an optional narrative rather than the… — Rebecca Solnit Copy Share Image
For me, being in a car or on an airplane is like being in limbo. It's this dead zone between two places. But to… — Rebecca Solnit Copy Share Image
“How do you calculate upon the unforeseen? It seems to be an art of recognizing the role of the unforeseen, of keeping your balance… — Rebecca Solnit Copy Share Image
Walking shares with making and working that crucial element of engagement of the body and the mind with the world, of knowing the world… — Rebecca Solnit Copy Share Image
![“[In mountaineering, if] we look for private experience rather than public history, even getting to the top becomes an optional narrative rather than the main point, and those who only wander in high places become part of the story.” quote by Rebecca Solnit](https://sms4smile.com/quotes/img-quotes/1e6/rebecca-solnit-569_high-places_in-mountaineering-if-we-look-for-private_78831.jpg)
