I thought that was a pretty stupid argument, really, because it's the final product that matters. The look of the film, however it's done, is still the cinematographer's vision in my mind. People said the same when color film came… — Roger Deakins Copy Share Image
The biggest challenge of any cinematographer is making the imagery fit together of a piece: that the whole film has a unity to it, and actually, that a shot doesn't stand out. — Roger Deakins Copy Share Image
Every scene is a challenge. There are technical challenges, but often it's the simplest challenge where you feel a sense of achievement when you… — Roger Deakins Copy Share Image
Maybe that sounds a bit pretentious, but I think life experience is always more important than technical knowledge. — Roger Deakins Copy Share Image
I came up, I suppose, a fairly traditional way. I went to art college. I always wanted to be a stills photographer, really, when… — Roger Deakins Copy Share Image
I love reading different scripts and helping create different looks, different environments. Sometimes you go to meet a director over a particular script, and… — Roger Deakins Copy Share Image
I don't study any films. I'll watch them, but I don't study anyone else. — Roger Deakins Copy Share Image
I never really considered film as a career, but I knew I didn't want to be a builder. So I went to art college,… — Roger Deakins Copy Share Image
My time in documentaries was very educating, in terms of life experience as well as the filmmaking side of it. — Roger Deakins Copy Share Image
Someone said to me, early on in film school if you can photograph the human face you can photograph anything, because that is the… — Roger Deakins Copy Share Image
What's seemingly a simple thing can actually be the hardest to achieve. — Roger Deakins Copy Share Image
