The film drama is the opium of the people…down with bourgeois fairy-tale scenarios…long live life as it is! — Dziga Vertov Copy Share Image
Kino-Eye uses every possible means in montage, comparing and linking all points of the universe in any temporal order, breaking, when necessary, all the laws and conventions of film construction. — Dziga Vertov Copy Share Image
“I am an eye. A mechanical eye. I, the machine, show you a world the way only I can see it. I free myself… — Dziga Vertov Copy Share Image
Our eyes see very little and very badly – so people dreamed up the microscope to let them see invisible phenomena; they invented the… — Dziga Vertov Copy Share Image
I am an eye. I am a mechanical eye. I, a machine, I am showing you a world, the likes of which only I… — Dziga Vertov Copy Share Image
I'm an eye. A mechanical eye. I, the machine, show you a world the way only I can see it...I approach and pull away… — Dziga Vertov Copy Share Image
I am the camera's eye. I am the machine that shows you the world as I alone see it. Starting from today I am… — Dziga Vertov Copy Share Image
The film drama is the opium of the people…down with bourgeois fairy-tale scenarios…long live life as it is! — Dziga Vertov Copy Share Image
My road is towards the creation of a fresh perception of the world. Thus I decipher in a new way the world unknown to… — Dziga Vertov Copy Share Image
We cannot improve the making of our eyes, but we can endlessly perfect the camera. — Dziga Vertov Copy Share Image
Everybody who cares for his art seeks the essence of his own technique. — Dziga Vertov Copy Share Image
Kino-Eye uses every possible means in montage, comparing and linking all points of the universe in any temporal order, breaking, when necessary, all the… — Dziga Vertov Copy Share Image
Freed from the boundaries of time and space, I co-ordinate any and all points of the universe, wherever I want them to be. My… — Dziga Vertov Copy Share Image
