Obviously in Art of Noise, I'm just part of the group, and when I do film scores, it's always in collaboration with the director and other people involved. — Anne Dudley Copy Share Image
I always think it's important to choose your initial theme very carefully because you're going to be married to it for a long time.… — Anne Dudley Copy Share Image
You know, nobody eats in England. Three or four pints of English beer a night fills you. I can't say I'm very impressed with… — Anne Dudley Copy Share Image
Film scores are often based on short themes, and it helps if you've got some way of developing these themes and making them sometimes… — Anne Dudley Copy Share Image
My favorite work is The Full Monty because I got an Oscar for it. But it was really hard work at the time. Sometimes… — Anne Dudley Copy Share Image
I was part of the sort of avant guard tradition of John Cage and music concrete and pushing back the boundaries of avant garde… — Anne Dudley Copy Share Image
Usually one or two things happen: Either you have an idea straightaway - the sort of sound that you want or the instrumentation or… — Anne Dudley Copy Share Image
“You gonna suck the marrow out of that bone?" he asked, hoping for a distraction. "Like to suck something else." "Christ," Alex sputtered. He… — Anne Dudley Copy Share Image
I wanted to make a classical piece that was actually designed to be a CD, not designed for performance. — Anne Dudley Copy Share Image
We all shared an admiration of Debussy both as a musician and as sort of an icon for the 20th century. It seemed like… — Anne Dudley Copy Share Image
Sometimes in films it's nice to have violins on either side, rather than on one side, so you've got more of a stereo picture… — Anne Dudley Copy Share Image
