I usually experiment with posture and physical attributes that may inform the character. Next, my impression gets a nice injection of inspiration when the costumes arrive and I can see his silhouette in the mirror. Then I go memorize all… — Bryce Pinkham Copy Share Image
The toughest parts of the shooting schedule for me are the days between working, when you've nothing to do but wait. There is only… — Bryce Pinkham Copy Share
I don't like the word "villain." It's too reductive. Calling someone a villain makes it too easy to ignore all the factors that went… — Bryce Pinkham Copy Share
I think the only productive way to approach characters, and frankly people in life, is through empathy. The minute we call someone a villain,… — Bryce Pinkham Copy Share
Onstage, I enjoy the thrill of live performance - there is no substitute for that rush. On camera I enjoy the crafting of a… — Bryce Pinkham Copy Share
I don't ever feel a full transition to my character. I don't ever feel like I have left myself, because if I did, I… — Bryce Pinkham Copy Share
I perform regularly with a theater company called Outside the Wire who take performances of Greek tragedy to American-military audiences around the world to… — Bryce Pinkham Copy Share
The "stage" on which you perform in film and TV is much smaller. Moving your eyes across the frame is equivalent to crossing from… — Bryce Pinkham Copy Share
I usually experiment with posture and physical attributes that may inform the character. Next, my impression gets a nice injection of inspiration when the… — Bryce Pinkham Copy Share
I have been exposed to a great deal of the issues surrounding PTSD, but what I have learned that is most relevant to my… — Bryce Pinkham Copy Share
I didn't know enough about the Civil War or its lingering effects as we all should. It's really easy to think that the Civil… — Bryce Pinkham Copy Share
