I don't feel any ethical dilemma when I write. In my memoir, I was able to write with candor about the two… — Said Sayrafiezadeh Copy Share Image
My characters are not underachievers; they aspire to great things, but they are limited by the world around them. — Said Sayrafiezadeh Copy Share Image
An initial impulse of mine was to portray the way in which a city is impacted by war. But this is vague,… — Said Sayrafiezadeh Copy Share Image
Since most of the action of the war actually happens off the page (offstage), I wanted to give the characters something they… — Said Sayrafiezadeh Copy Share Image
The benefit of writing a collection - as opposed to a novel - is that I'm able to have some version of… — Said Sayrafiezadeh Copy Share Image
I don't work with an outline, except a vague one in my head, a general idea of character, place, arc... I'm like… — Said Sayrafiezadeh Copy Share Image
But it's hard for me to pinpoint where all my characters and dialogue come from - imagination or real life. My memoir,… — Said Sayrafiezadeh Copy Share Image
I liked the push and pull of that, between the outer political world and the inner personal lives of the characters. It's… — Said Sayrafiezadeh Copy Share Image
This is one of the ways fiction is more liberating than nonfiction - I don't have to be so concerned with fact.… — Said Sayrafiezadeh Copy Share Image
Love and happiness inextricably combined? I wanted love stories to coincide with war stories, I wanted hope for my characters, I wanted… — Said Sayrafiezadeh Copy Share Image
The benefit of writing a collection - as opposed to a novel - is that I'm able to have some version of the war… — Said Sayrafiezadeh Copy Share Image
I was trying to hold up a mirror to this country, to reflect the past years or so, and the varying degrees in which… — Said Sayrafiezadeh Copy Share Image
We were poor, my mother and I, living in a world of doom and gloom, pessimism and bitterness, where storms raged and wolves scratched… — Said Sayrafiezadeh Copy Share Image
The difference between our family and other poor families was that my mother actively chose to be poor. She was highly literate, and she… — Said Sayrafiezadeh Copy Share Image
My sister married an American and took his name, and my brother has shortened Sayrafiezadeh to Sayraf. So now he's Jacob Sayraf, or sometimes… — Said Sayrafiezadeh Copy Share Image
I sometimes have to write for a while before I figure it out, pretend that I know what I'm doing, sort of like ad-libbing… — Said Sayrafiezadeh Copy Share Image
I suppose my Iranian identity is one of the driving forces for being a writer: I want to set the record straight about who… — Said Sayrafiezadeh Copy Share Image
[Ending] is partly drawn from a desire to shock the audience, to brutally de-romanticize what many Americans think is happening overseas. And partly drawn… — Said Sayrafiezadeh Copy Share Image
My childhood was defined by my father's absence. His presence looms so large. Up until the age of 18, he was a superstar for me. — Said Sayrafiezadeh Copy Share Image
I don't work with an outline, except a vague one in my head, a general idea of character, place, arc... I'm like a composer… — Said Sayrafiezadeh Copy Share Image
There's always been something a little pathetic for me at the work parties I've attended, especially thinking back to the restaurants I worked in.… — Said Sayrafiezadeh Copy Share Image
My characters are not underachievers; they aspire to great things, but they are limited by the world around them. — Said Sayrafiezadeh Copy Share Image
![“[Ending] is partly drawn from a desire to shock the audience, to brutally de-romanticize what many Americans think is happening overseas. And partly drawn from my own childhood: violence and a loss of innocence. But keep in mind that, as a writer, I'm both the criminal and the victim. I'm not…” quote by Said Sayrafiezadeh](https://sms4smile.com/quotes/img-quotes/1c0/said-sayrafiezadeh-16091_audience_ending-is-partly-drawn-from-a-desire-to_597129.jpg)
