The balance of the frame - the way an actor is relating to the space in the frame - is the most… — Roger Deakins Copy Share Image
There's nothing worse than an ostentatious shot or some lighting that draws attention to itself, and you might go, 'Oh, wow, that's… — Roger Deakins Copy Share Image
I want a script to affect me in some way. I am usually drawn to character studies, scripts about real people and… — Roger Deakins Copy Share Image
Every scene is a challenge. There are technical challenges, but often it's the simplest challenge where you feel a sense of achievement when you… — Roger Deakins Copy Share Image
Maybe that sounds a bit pretentious, but I think life experience is always more important than technical knowledge. — Roger Deakins Copy Share Image
I came up, I suppose, a fairly traditional way. I went to art college. I always wanted to be a stills photographer, really, when… — Roger Deakins Copy Share Image
I love reading different scripts and helping create different looks, different environments. Sometimes you go to meet a director over a particular script, and… — Roger Deakins Copy Share Image
I don't study any films. I'll watch them, but I don't study anyone else. — Roger Deakins Copy Share Image
I never really considered film as a career, but I knew I didn't want to be a builder. So I went to art college,… — Roger Deakins Copy Share Image
My time in documentaries was very educating, in terms of life experience as well as the filmmaking side of it. — Roger Deakins Copy Share Image
Someone said to me, early on in film school if you can photograph the human face you can photograph anything, because that is the… — Roger Deakins Copy Share Image
What's seemingly a simple thing can actually be the hardest to achieve. — Roger Deakins Copy Share Image
