Colour, as the strange and magnificent expression of the inscrutable spectrum of Eternity, is beautiful and important to me as a painter;… — Max Beckmann Copy Share Image
The world is rather shot to pieces [end of World War II - 1945], but the spectators climb out of their caves… — Max Beckmann Copy Share Image
One thing is sure - we have to transform the three-dimensional world of objects into the two-dimensional world of the canvas.. ..To… — Max Beckmann Copy Share Image
The individual representation of the object, treated sympathetically or antipathetically, is highly necessary and is an enrichment to the world in form.… — Max Beckmann Copy Share Image
It is, of course, a luxury to create art and, on top of this, to insist on expressing one's own artistic opinion. Nothing is… — Max Beckmann Copy Share Image
What I want to show in my work is the idea which hides itself behind so-called reality. I am seeking for the bridge which… — Max Beckmann Copy Share Image
“Art is creative for the sake of realization, not for amusement: for transfiguration, not for the sake of play. It is the quest of… — Max Beckmann Copy Share Image
My figures come and go, suggested by fortune or misfortune. I try to fix them divested of their apparent accidental quality. — Max Beckmann Copy Share Image
Colour, as the strange and magnificent expression of the inscrutable spectrum of Eternity, is beautiful and important to me as a painter; I use… — Max Beckmann Copy Share Image
One of my problems is to find the Ego, which has only one form and is immortal - to find it in animals and… — Max Beckmann Copy Share Image
What I want to show in my work is the idea which hides itself behind so-called reality. — Max Beckmann Copy Share Image
I believe the reason I love painting so much is that it forces one to be objective. — Max Beckmann Copy Share Image
We will enjoy ourselves with the forms that are given us: a human face, a hand, the breast of a woman or the body… — Max Beckmann Copy Share Image
The world is rather shot to pieces [end of World War II - 1945], but the spectators climb out of their caves and pretend… — Max Beckmann Copy Share Image
In principle, any abstraction of the object is allowed which has a sufficiently strong creative power behind it. — Max Beckmann Copy Share Image
