“what is bought forth by the artisan or the artist...has the bursting open belonging to bringing-forth not in itself, but in another (en alloi), in the craftsman or the artist’ (QCT: 10–11).” — Barbara Bolt Copy Share Image
“every occasion for whatever passes over and goes forward into presencing from that which is not presencing is poiesis, is bringing-forth” — Barbara Bolt Copy Share Image
“what is bought forth by the artisan or the artist...has the bursting open belonging to bringing-forth not in itself, but in another (en alloi),… — Barbara Bolt Copy Share Image
“Everyday Dasein becomes absorbed in the everyday and becomes lost in ‘the-they’.” — Barbara Bolt Copy Share Image
“in the epoch of representation, assault rules. The regime of representation produces violence.” — Barbara Bolt Copy Share Image
“Thus technological revealing allows humans to extend their vision further into nature and extend their mastery over everything, including other human beings.” — Barbara Bolt Copy Share Image
“in order to fulfil his essence, Greek man must gather (legein) and save (sozein), catch up and preserve, what opens itself in its openness,… — Barbara Bolt Copy Share Image
“The consequence of the transformation of the world into standing-reserve is that the earth is viewed as a resource, which humans dominate through technology.” — Barbara Bolt Copy Share Image
“It is a discovery, a life and a sensibility of its own that is created through the working...A piece of work is the embodiment… — Barbara Bolt Copy Share Image
“techne assumes the character of a controlling revealing. It is this tendency towards control and mastery that establishes the ambivalence of techne.” — Barbara Bolt Copy Share Image
“The setting-into-work of truth involves setting up a world and setting-forth of earth.” — Barbara Bolt Copy Share Image
“is through our concernful dealings with other entities in the world – that is our accommodation to our technology, materials, knowledges and bodies –… — Barbara Bolt Copy Share Image
