“[…]when you read a book, what you see are black squiggles on pulped wood or, increasingly, dark pixels on a pale screen.… — Mohsin Hamid Copy Share Image
But when you read a book, what you see are black squiggles on pulped wood or, increasingly, dark pixels on a pale… — Mohsin Hamid Copy Share Image
I don't want to be anxious on my day-to-day life. I want to try to imagine a future I'd like to live… — Mohsin Hamid Copy Share Image
“Indeed, all books, each and every book ever written, could be said to be offered to the reader as a form of… — Mohsin Hamid Copy Share Image
Why the brevity? Because I'd rather people read my book twice than only half-way through — Mohsin Hamid Copy Share Image
It's in being read that a book becomes a book, and in each of a million different readings a book become one… — Mohsin Hamid Copy Share Image
The notion of love as a potentially destructive and potentially redemptive human force is something that comes across in all my books. — Mohsin Hamid Copy Share Image
Oftentimes I deliberately put ambiguity into my books so that... the reader is left with an echo of: 'How much of this… — Mohsin Hamid Copy Share Image
In a world of intrusive technology, we must engage in a kind of struggle if we wish to sustain moments of solitude.… — Mohsin Hamid Copy Share Image
As a child I read all kinds of stuff, whether it was 'Asterix and Obelix' and 'Tin Tin' comic books, or 'Lord… — Mohsin Hamid Copy Share Image
When I'm really plugged in I find it difficult to write. It's like digging a well. If you make a void, something… — Mohsin Hamid Copy Share Image
The anger is useful too because when things about the world upset you, that is really a fertile feeling to channel into… — Mohsin Hamid Copy Share Image
My dad had this outlook: It doesn't matter what I want to read - reading was a good thing. So whatever I… — Mohsin Hamid Copy Share Image
I take six or seven years to write really small books. There is a kind of aesthetic of leanness, of brevity. — Mohsin Hamid Copy Share Image
If your book is set in the plantation days of the slave-owning South and you write a little romance between two slave… — Mohsin Hamid Copy Share Image
Pakistan now is like a horror film franchise. You know, it's 'Friday the 13th, Episode 63: The Terrorist from Pakistan.' And each time we… — Mohsin Hamid Copy Share Image
A beard is something that is almost like a mirror to the viewer. When someone sees you wearing a beard, they're seeing something in… — Mohsin Hamid Copy Share Image
And also I think the rise of other, you could say, destinations for international jihadis mean that Pakistan isn't necessarily the place where people… — Mohsin Hamid Copy Share Image
“I met her eyes, and for the first time I perceived that there was something broken behind them, like a tiny crack in a… — Mohsin Hamid Copy Share Image
“muscularity, made more pronounced by her gauntness, and the near-inanimate” — Mohsin Hamid Copy Share Image
“In this group, everyone was foreign, and so, in a sense, no one was.” — Mohsin Hamid Copy Share Image
“It seemed to me then - and to be honest, sir, seems to me still - that America was engaged only in posturing. As… — Mohsin Hamid Copy Share Image
When the uncertain future becomes the past, the past in turn becomes uncertain. — Mohsin Hamid Copy Share Image
When the machine of a human being is turned on, it seems to produce a protagonist, just as a television produces an image. — Mohsin Hamid Copy Share Image
I think fiction allows you to inhabit new domains and it's you, the reader living in that domain for a few days that results… — Mohsin Hamid Copy Share Image
“Often, during my stay in your country, such comparisons troubled me. In fact, they did more than trouble me: they made me resentful. Four… — Mohsin Hamid Copy Share Image
Americans need to educate themselves, from elementary school onward, about what their country has done abroad. And they need to play a more active… — Mohsin Hamid Copy Share Image
