The Dior heritage is so broad. It has a strong presence in the work. So, when people have to define it quickly, it's, like, the Bar jacket and the movement and the luxury and the Belle Époque and so much… — Raf Simons Copy Share Image
I'm not an isolated person. The more I connect to people, the more I have the feeling that things work. — Raf Simons Copy Share Image
Camouflage is about much more than concealment and going unnoticed. There's a whole game involved between revealing and hiding. — Raf Simons Copy Share Image
It felt wrong for me to stay totally connected to that very strict way of approaching the heritage - what it can be, what… — Raf Simons Copy Share Image
Well, my own men's collection always felt very free back in the days before Jil. Once you make it this kind of dialogue with… — Raf Simons Copy Share Image
Computers let people avoid people, going out to explore. It's so different to just open a website instead of looking at a Picasso in… — Raf Simons Copy Share Image
As an industrial designer, you design the thing by yourself, and then it goes away from you, whereas fashion is in constant relation to… — Raf Simons Copy Share Image
Fashion is such an octopus. You're connected to so many people: suppliers, pattern makers, production teams, marketing teams, vendors. — Raf Simons Copy Share Image
My inspiration is endless; I can't define it. It is a constant flow and evolution. In general, I'm taking it from everywhere. People get… — Raf Simons Copy Share Image
My whole life, I've always had to be surrounded by creative things. I find it relaxing to be in touch with creations by other… — Raf Simons Copy Share Image
My own brand will stand or fall because of me. Dior won't fall if I fall. It will also still stand if I'm not… — Raf Simons Copy Share Image
