There's always blood on the carpet when I play Beethoven at the piano. I hate playing the piano! And it's so hard… — Charles Hazlewood Copy Share Image
I free-form it, rock n' roll it. I'm a creature of risk, so I don't know how I'm going to explore a… — Charles Hazlewood Copy Share Image
Mozart, Beethoven - how can you not want to share them with everyone and anyone? This stuff is of as great importance… — Charles Hazlewood Copy Share Image
Classical music has become rarefied, like a maiden aunt that nobody wants to talk to. — Charles Hazlewood Copy Share Image
I admire Tom Ades: he's a brilliant conductor, and he gets just the right hard, brilliant sound from the City of Birmingham Symphony Orchestra… — Charles Hazlewood Copy Share Image
All roads for me lead back to Mozart. In his tragically short life, he breathed new life, fire and meaning into every form of… — Charles Hazlewood Copy Share Image
There is a terrible conservatism, like a cancer, right in the heartlands of music-making, a tremendous resistance to change, an absolute horror of the… — Charles Hazlewood Copy Share Image
I want to prove that Holst's 'The Planets' can be as much of a sensory overload as a concert by the Grateful Dead, and… — Charles Hazlewood Copy Share Image
Even if you're playing the most well-known repertoire under the sun, I still believe you have a responsibility as an artist to tell the… — Charles Hazlewood Copy Share Image
I hate playing the piano! And it's so hard to fight for Beethoven's soul! But that's what I have to do! — Charles Hazlewood Copy Share Image
Music is a lens through which to see who we are. Every phrase of every piece of music is trying to tell a story. — Charles Hazlewood Copy Share Image
For too long, musicians have been the greatest enemy of music. Their lack of desire to proselytize is a kind of betrayal. — Charles Hazlewood Copy Share Image
Parallels between classical and pop are not new. The whole San Francisco movement of John Cage and Terry Riley went hand in glove with… — Charles Hazlewood Copy Share Image
The Southbank Centre Unlimited Festival was a distinct moment in time, an amazing counterpoint to the London 2012 Paralympics. There is no question that… — Charles Hazlewood Copy Share Image
