When drum'n'bass happened, when the two-step/garage thing happened, there was a chart smash every week; it operated on the underground and the pinnacle of pop mainstream at the same time. — Kieran Hebden Copy Share Image
I worked on the tracks so they sounded as good as possible in there... I wanted to make something that was for the night. — Kieran Hebden Copy Share Image
People ask me about all sorts of sounds. There's a sound of a screeching toy or a rubber duck and everybody asks me about… — Kieran Hebden Copy Share Image
I feel like there's a young generation of producers who are taking inspiration from dubstep but trying to push it in other directions. — Kieran Hebden Copy Share Image
I've always explored things that people find a bit more freakish, like free jazz, and I'd gotten to a point where the live music… — Kieran Hebden Copy Share Image
Gospel isn't some ditty to make people enjoy their afternoon - it's communicating with God. — Kieran Hebden Copy Share Image
It's such a normal thing for a dance producer to make music and try it out in the club, but that was relatively new… — Kieran Hebden Copy Share Image
I've done quite a few records now, and I look back and think of them as documents of my musical journey. — Kieran Hebden Copy Share Image
If I bare my soul in bits and make it personal, I think people can sense that when they hear it. — Kieran Hebden Copy Share Image
I think the most important thing for me is putting out records that document ideas. — Kieran Hebden Copy Share Image
People read into the music. I have a feeling that they can believe that I'm trying to put some emotion forward. It's not just… — Kieran Hebden Copy Share Image
The lo-fi scene and the riot grrrl thing had a huge influence on me. As a teenager I went to see Bikini Kill and… — Kieran Hebden Copy Share Image
I thought Everything Ecstatic was the happiest of them all - hence the "ecstatic" name. The whole concept behind that was total out-and-out euphoric… — Kieran Hebden Copy Share Image
