The day is refracted, and the next and the one after that, all of them broken up into a hundred juggled segments, each brilliant and self-contained so that the hours are no longer linear but assorted like bright sweets in… — Penelope Lively Copy Share Image
“I know quite well why I became a historian… It was because dissension was frowned upon when I was a child: 'Don't argue, Claudia,'… — Penelope Lively Copy Share
“The question is, shall it or shall it not be linear history. I've always thought a kaleidoscopic view might be an interesting heresey. Shake… — Penelope Lively Copy Share
There's a preoccupation with memory and the operation of memory and a rather rapacious interest in history. — Penelope Lively Copy Share
“He felt marvellously conscious of the moment, of here and now, of this day.” — Penelope Lively Copy Share
“But her thoughts are often of the past. That evanescent, pervasive, slippery internal landscape known to no one else, that vast accretion of data… — Penelope Lively Copy Share
Getting to know someone else involves curiosity about where they have come from, who they are. — Penelope Lively Copy Share
I'm intrigued by the way in which physical appearance can often direct a person's life; things happen differently for a beautiful woman than for… — Penelope Lively Copy Share
Since then, I have just read and read - but, that said, I suppose there is a raft of writers to whom I return… — Penelope Lively Copy Share
“I have a print - you can buy them at the Victoria and Albert Museum - of a photograph of the village street of… — Penelope Lively Copy Share
“The power of language. Preserving the ephemeral; giving form to dreams, permanence to sparks of sunlight.” — Penelope Lively Copy Share
Conventional forms of narrative allow for different points of view, but for this book I wanted a structure whereby each of the main characters… — Penelope Lively Copy Share
