It's about communication, no matter how impossibly hard your art is to understand and how much of an ivory tower or high horse you get on, it's still basically communication or why are you doing it? — Wayne White Copy Share Image
I'm neurotic in the sense that I can have a crowd of 300 people cheering you, applauding you, standing O, but one guy come… — Wayne White Copy Share
I wanted to deconstruct the puppet show. I wanted to turn it inside out and do stuff that you're not supposed to do. I… — Wayne White Copy Share
I had to learn to do stuff only for myself, and stop thinking about pleasing some imaginary client or boss. It's a habit that… — Wayne White Copy Share
Puppets are pure form then ideas for performance come out of that. It's always the form and the visuals and that's why I like… — Wayne White Copy Share
I would advise puppeteering for any artist. It's a way to break down pretensions. It's a sculpture that can talk. It's a painting that… — Wayne White Copy Share
I've been around Hollywood and filmmaking long enough to know that it's a tricky dangerous business when you go on camera, you got to… — Wayne White Copy Share
But nobody predicted anything of this magnitude in terms of resistance. And in part, the magnitude of the resistance was spurred by our failures… — Wayne White Copy Share
No matter how much I'm on and people are loving me, there's always some like, and it's usually a woman too, in the audience… — Wayne White Copy Share
I want to reach out and entertain people. I want people to come to a museum that have never been in a museum before.… — Wayne White Copy Share
Once the cameras rolling or the audience is in the seats, I'm on. I can't help it. I go into a trance. — Wayne White Copy Share
As far as I'm concerned, there is no line between high art and pop art, and there should be no line. — Wayne White Copy Share
First of all I think of puppets as sculpture. They are sculpture that moves. You could label it any way you want, but for… — Wayne White Copy Share
