To me, the most interesting approach to film noir is subjective. The genre is really all about not knowing what's going on around you, and that fear of the unknown. The only way to do that effectively is to really… — Christopher Nolan Copy Share Image
In Hollywood there's a great openness, almost a voracious appetite for new people. In England there's a great suspicion of the new. In cultural… — Christopher Nolan Copy Share
“COBB: You're waiting for a train. A train that will take you far away. You know where you hope this train will take you,… — Christopher Nolan Copy Share
When you play a videogame, you could be a completely different person than you are in the real world, certain aspects of the way… — Christopher Nolan Copy Share
The structural notions to me always have to be worked out very carefully in the script stage. Whatever a particular structure is. Whether it's… — Christopher Nolan Copy Share
I made 'Batman' the way I made every other film, and I've done it to my own satisfaction - because the film, truly, is… — Christopher Nolan Copy Share
The quality of racing continues to excel with starters increasing to 1496,. — Christopher Nolan Copy Share
I remember the initial genesis quite clearly. My interest in dreams comes from this notion of realizing that when you dream you create the… — Christopher Nolan Copy Share
If I could steal someone's dream myself, I'd have to go for one of Orson Welles. — Christopher Nolan Copy Share
To me, any kind of filmmaking that's reactive is not going to be as good as something more inventive and original. — Christopher Nolan Copy Share
“(On "Following") We've got a pretty serious claim on being the cheapest film ever made.” — Christopher Nolan Copy Share
Particularly, the actors, to have analyzed the script in great detail from the point of view of their specific character. So that they have… — Christopher Nolan Copy Share
I've never read Joseph Campbell, and I don't know all that much about story archetypes. — Christopher Nolan Copy Share
