To have a film where there's an evil figure and a good person fights against the evil figure and everything becomes a… — Hayao Miyazaki Copy Share Image
Well, for one thing, the executives in charge at Cartoon Network are cartoon fans. I mean, these are people who grew up… — Craig McCracken Copy Share Image
I used to think that animation was about moving stuff. In order to make it really great, you bounce it, squash it,… — Glen Keane Copy Share Image
“Even an ostensibly degree-zero affect like animatedness has a version of this subjective/objective problematic at its core—namely, the question of whether “animation”… — Sianne Ngai Copy Share Image
There is a scene in the movie where Astrid and Hiccup fly on Toothless's back toward the island of Berk. The animation… — Craig Ferguson Copy Share Image
My work is so unorthodox that from one panel to the next, the drawings are completely different... totally opposed to the way… — Sergio Aragones Copy Share Image
I think a good study of music would be indispensable to the animators - a realization on their part of how primitive… — Walt Disney Copy Share Image
And as particles are living digital elements, moving on their own according to the various attributes (such as weight, speed, shape) given… — Martine Epoque Copy Share Image
I used to do stop motion in my own garage and Claymation and all that stuff. That led to doing backgrounds and… — Robert Stromberg Copy Share Image
Dr. Paul Ekman, who worked in San Francisco - still does - which is where Pixar Animation Studios is, he had early… — Pete Docter Copy Share Image
One of the things I've learned from animation is that some guys are really good at writing, some guys are really good… — Paul Dini Copy Share Image
Typically in animation, the characters exist in a kind of stasis. Look at 'The Simpsons' - they never age, the baby never… — Lee Unkrich Copy Share Image
Even when I'm writing animation, I think of them as real people. I think of them as completely three-dimensional beings, even if… — Linda Woolverton Copy Share Image
I find that I have done a pretty good job of fusing all three of them so far and I intend to… — St. Lucia Copy Share Image
Any type of animation, it could be really super crude or very sophisticated, it doesn't mean anything if we don't make this… — Henry Selick Copy Share Image
Everything on Saturday morning [cartoons] moves alike that's one of the reasons it's not animation. The drawings are different, but everybody acts… — Chuck Jones Copy Share Image
When you take something that's inert, and through motion, give it life, make it appear to be alive, living, breathing thinking and… — John Lasseter Copy Share Image
With live-action I think we'd have lost the universal appeal of the Persepolis story. With live-action, it would have turned into a… — Marjane Satrapi Copy Share Image
In animation, there's not a medium I believe that's more collaborative. It is a team of people, of different disciplines, coming together.… — Kelly Asbury Copy Share Image
In this era of digital special effects, I think it's good to work with our hands and our hearts, to use water… — Rithy Panh Copy Share Image
You hear people say that there's too much CG in movies today, but CG is what allows me to take a green-painted… — David Twohy Copy Share Image
I took a lot of influences from Studio Ghibli, which is the Japanese animation studio that made 'Spirited Away' and 'Castle in… — Jamie Hewlett Copy Share Image
As far as CGI and hand-drawn animation, I consider them both nothing more than tools for drawing pictures, the same as crayons… — Mamoru Hosoda Copy Share Image
I could take my grandma and put her in a cape, and they'll put her on a green screen, and they'll have… — Jason Statham Copy Share Image
I love doing the voice of Batman because of the quality of the animation. The music is particularly incredible. Another bonus is… — Kevin Conroy Copy Share Image
On a live-action movie, things happen that are unexpected. In animation, you have to fabricate the feeling. That takes a tremendous amount… — Gore Verbinski Copy Share Image
There's the animation ghetto of feature films in this country. There's this flavor at DreamWorks, and Pixar does their own thing, and… — Henry Selick Copy Share Image
In animation and comics, the viewer breezes past the drawings. But with picture books, each page is going to be stared at… — Vera Brosgol Copy Share Image
I hate when people go on TV and tell you how hard it is to do animation … No, UPS is hard… — Chris Rock Copy Share Image
When The Simpsons came around, there really was nothing else like it on TV. It's hard to imagine, but when Fox first… — Matt Groening Copy Share Image
...Desire, a function central to all human experience, is the desire for nothing nameable. And at the same time this desire lies… — Jacques Lacan Copy Share Image
I find that I have improved in my craft and I have improved considerably in my ability to critique other people's artwork.… — St. Lucia Copy Share Image
The reality of animation is that it's a complicated thing to get a movie to a studio to make, because they typically… — Rob Minkoff Copy Share Image
When I started work with LucasArts Computer Division back in 1984, I went to the Palace of Fine Arts and saw the… — John Lasseter Copy Share Image
What I personally gravitate toward tends to be fantasy, medium dark - not too dark - fairy tales and sci fi. Stop-motion… — Henry Selick Copy Share Image
The weird thing is, if I'd made 'The Incredibles,' shot-for-shot - exactly the same script, same timing, same shots - in live… — Brad Bird Copy Share Image
To this day I over prepare. I draw storyboards for every scene - chicken scratches so crude that they amuse and horrify… — Eric Stoltz Copy Share Image
I want to give credit where credit is due to Eric Radomski, who is the head of our production for Marvel Animation… — Jeph Loeb Copy Share Image
Born of necessity, the little fellow literally freed us of immediate worry. He provided the means for expanding our organization to its… — Walt Disney Copy Share Image
Learn how to draw. It's the basis of what we [animation directors] do. Keep a sketchbook. Try making a very simple little… — John Musker Copy Share Image
![“Everything on Saturday morning [cartoons] moves alike that's one of the reasons it's not animation. The drawings are different, but everybody acts the same way, their feet move the same way, and everybody runs the same way. It doesn't matter whether it's an alligator or a man or a baby or…” quote by Chuck Jones](https://sms4smile.com/quotes/img-quotes/0a2/chuck-jones-9878_alligators_everything-on-saturday-morning-cartoons_180513.jpg)
![“Learn how to draw. It's the basis of what we [animation directors] do. Keep a sketchbook. Try making a very simple little film. Try and tell a story clearly and entertainingly. Study the way people move and animate move. Observe all you can, and try and capture that simply in a few lines on paper.” quote by John Musker](https://sms4smile.com/quotes/img-quotes/24f/john-musker-41435_animation_learn-how-to-draw-it-s-the-basis-of-what_144063.jpg)