Printed prose is historically a most peculiar, almost an aberrant way of telling stories, and by far the most inherently anesthetic: It is the only medium of art I can think of which appeals directly to none of our five… — John Barth Copy Share
Tis e'er the wont of simple folk to prize the deed and o'erlook the motive, and of learned folk to discount the deed and… — John Barth Copy Share Image
“So, I begin each day with a gesture of cynicism, and close it with a gesture of faith; or, if you prefer, begin it by reminding myself that, for me at least, goals and objectives are without value, and close it by demonstrating that the fact is irrelevant. A gesture of temporality, a gesture of eternity. It is in the… — John Barth Copy Share
I admire writers who can make complicated things simple, but my own talent has been to make simple things complicated. — John Barth Copy Share Image
Printed prose is historically a most peculiar, almost an aberrant way of telling stories, and by far the most inherently anesthetic: It is the only medium of art I can think of which appeals directly to none of our five senses. The oral and folk tradition in narrative made use of verse or live-voice dynamics, embellished by gesture and expression--a… — John Barth Copy Share
“There's a great difficulty in making choices if you have any imagination at all. Faced with such a multitude of desireable choices, no one… — John Barth Copy Share Image
The first obligation of the writer is to be interesting. To be interesting; not to change the world. — John Barth Copy Share Image
Yet everyone begins in the same place; how is it that most go along without difficulty but a few lose their way? — John Barth Copy Share Image
A curious thing about written literature: It is about four thousand years old, but we have no way of knowing whether four thousand years… — John Barth Copy Share Image
He wishes he had never entered the funhouse. But he has. Then he wishes he were dead. But he's not. Therefore he will construct… — John Barth Copy Share Image
