When it comes to actually writing the book/story, I work on a computer. I wish I could write longhand, but I can't. — Paul G. Tremblay Copy Share Image
I feel like too many horror writers and filmmakers sort of just assume that the default is, 'The horror movie must be all atmosphere… — Paul G. Tremblay Copy Share
I don't consciously sit down thinking I'm blurring genre lines, for the most part. I try to stay focused solely on serving the needs… — Paul G. Tremblay Copy Share
I think I got serious about writing in the late '90s. The first stuff I wrote was terrible and got rejected, but I started… — Paul G. Tremblay Copy Share
As an adult, I've learned to cope and pull the plug on the worst what-ifs before my mind takes me to a place from… — Paul G. Tremblay Copy Share
Crime, horror, and satire each aim to reveal an ugly or uncomfortable truth: one that, after the reveal, will ensure we'll never be the… — Paul G. Tremblay Copy Share
Whenever you bring reality TV into the mix, it's only a matter of time before, whatever fiction you come up with, it'll become real. — Paul G. Tremblay Copy Share
My first book deal was for two Mark Genevich novels. I hadn't planned on writing a second Genevich novel, but I was contracted to… — Paul G. Tremblay Copy Share
I'm harsh on myself. But let's be honest: I'm not as harsh as the online one-star critic who says, 'This book is boring and… — Paul G. Tremblay Copy Share
In the early 2000s, I started selling some short stories to horror markets. I joined the Horror Writers Association. — Paul G. Tremblay Copy Share
So much of my work is about children and/or parenting; it's something I'm drawn to without being able to completely articulate why. — Paul G. Tremblay Copy Share
Horror is often about how we live in the liminal, whether we want to or not. — Paul G. Tremblay Copy Share
After my debut didn't go very well with Holt, I needed to be in a healthier head space. I was happy to emerge from… — Paul G. Tremblay Copy Share
