In Sandalwood, each hero has a style and songs are composed accordingly. — Arjun Janya Copy Share Image
When I was composing for 'The Villain,' I looked at it as a fan and came up with tunes accordingly. — Arjun Janya Copy Share Image
'Tarak' is a 'class' movie and a family entertainer, so the album sounds trendy and peppy. — Arjun Janya Copy Share Image
Everybody has their limitations and hence, we need to look for a range of voices more than the quality of singing in our local… — Arjun Janya Copy Share Image
I won't deny it, but working on 'The Villain' has been quite a challenge, as Prem is not easy to please. — Arjun Janya Copy Share Image
'Kudi Maga' is a pub-style song, but the lyrics are really nice and the beats are catchy. — Arjun Janya Copy Share Image
In Kannada cinema, the introduction song for the hero is normally, as we call it, a massy commercial number. — Arjun Janya Copy Share Image
I started performing in musical events after the success of 'Victory' and fans demanded the song 'Khaali Quarter' in every show. — Arjun Janya Copy Share Image
Our job as composers becomes easy when directors have a good knowledge of music and know exactly what they want. — Arjun Janya Copy Share Image
The song that starts with 'Neene Rama, neene Shama, neene Allah, neene Yesu,' is very profound. It exhorts people to stop looking for god… — Arjun Janya Copy Share Image
In 'Barfi,' we have departed from regular commercial stuff and used the melody 'Bare Bare,' sung by Sonu Nigam as the introductory song for Diganth. — Arjun Janya Copy Share
