For me, graffiti and the complexities with which it is either absorbed or expelled from what is going on, is a really good comparison to the way I see my work being similarly expelled or absorbed into different types of… — Richard Phillips Copy Share Image
Art, unlike the trades in the artistic capacity of fashion and food, can literally be anything. It can be the negation of itself and… — Richard Phillips Copy Share Image
People get confused when they see my shows, but that isn't the intention. My intention is to destabilize the act of seeing. — Richard Phillips Copy Share Image
“were denied direct participation in the government, forced to rely on wit and wile to influence the men who wielded raw power.” — Richard Phillips Copy Share Image
Art is a thing where, the least likely thing that you think is going to be art, is precisely the thing that is going… — Richard Phillips Copy Share Image
When you think about Dada and the great moments in Modern Art, it's always the sense of when you're not sure that art is… — Richard Phillips Copy Share Image
“As great as the all-volunteer force had been under Ronald Reagan, that force had always been a mighty war ax, something designed to smite the country’s opponents with overwhelming combat power, rapidly destroying all resistance before being returned to the shed to be sharpened and hung back on the wall to await its next use. For years now, this awesome… — Richard Phillips Copy Share
My favorite film score is the one Thomas Bangalter created for 'Irreversible.' The soundtrack absolutely defines the daymare-into-nightmare feeling you get from the film. — Richard Phillips Copy Share Image
“Your journey will proceed faster with a brief delay.’ In other words, don’t go off half-cocked, but don’t wait until the other fellow shoots… — Richard Phillips Copy Share Image
I try to get out of an image's way in order to let it articulate what is hidden. — Richard Phillips Copy Share Image
