I'm very jealous of actors that swoop in for 20 days, and then swoop back out. When you're a director, you're on that train for the next two years, so you best love it like you've never loved anything, ever. — Francesca Gregorini Copy Share Image
If you're gonna take people on a journey that deals with some pretty heavy themes, I think you best have a sense of humor,… — Francesca Gregorini Copy Share
The test for me, when I read other people's scripts, is whether I feel like there's something about me that is the best person… — Francesca Gregorini Copy Share
The more personal you get, the more universal a story you end up telling. — Francesca Gregorini Copy Share
Life, to me, is never one color. Even in the saddest moments, you can have a chuckle. And in the happiest moments, you can… — Francesca Gregorini Copy Share
Ultimately, what audiences respond to is truth. Even as fantastical as the story can be, and out there, at its core, it's dealing with… — Francesca Gregorini Copy Share
It takes forever to make a film. It's a gargantuan thing of untold effort. — Francesca Gregorini Copy Share
Casting is very instinctual. I really like to meet people. To me, it's about their essence more than their audition. — Francesca Gregorini Copy Share
I think we all have limitations, as directors. I don't care what the budget is, it's probably never enough money and never enough time.… — Francesca Gregorini Copy Share
I'm very jealous of actors that swoop in for 20 days, and then swoop back out. When you're a director, you're on that train… — Francesca Gregorini Copy Share
All the things that live within you find their place, in character and story, once you tap into that other space that is the… — Francesca Gregorini Copy Share
What I love is when I'm in the theater with audiences and I hear them laugh. That's such a relief to me. They're going… — Francesca Gregorini Copy Share
